{"id":479,"date":"2025-12-08T22:36:55","date_gmt":"2025-12-08T22:36:55","guid":{"rendered":"https:\/\/revista-vitral.com\/?p=479"},"modified":"2025-12-08T22:39:59","modified_gmt":"2025-12-08T22:39:59","slug":"realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas","status":"publish","type":"post","link":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/","title":{"rendered":"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"479\" class=\"elementor elementor-479\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c95e76 e-con-full e-flex e-con e-parent\" data-id=\"4c95e76\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-91c5c71 e-con-full e-flex e-con e-child\" data-id=\"91c5c71\" data-element_type=\"container\">\n\t\t<div 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M\u00e9xico-Jap\u00f3n<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-269c1b3 e-flex e-con-boxed e-con e-parent\" data-id=\"269c1b3\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-65a99c6 elementor-widget elementor-widget-heading\" data-id=\"65a99c6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-73255cc e-flex e-con-boxed e-con e-parent\" data-id=\"73255cc\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div 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data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>08 de diciembre de 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7a36039 e-flex e-con-boxed e-con e-parent\" data-id=\"7a36039\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-396be42 elementor-widget elementor-widget-text-editor\" data-id=\"396be42\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Palabras clave<\/strong><br \/>Narrativa espa\u00f1ola siglo XX; Novela social espa\u00f1ola; Neorrealismo espa\u00f1ol;Realismo cr\u00edtico; Narrativa de posguerra.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-edb11c0 e-flex e-con-boxed e-con e-parent\" data-id=\"edb11c0\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c982240 elementor-widget elementor-widget-heading\" data-id=\"c982240\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Resumen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-021f9bd e-flex e-con-boxed e-con e-parent\" data-id=\"021f9bd\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-caeebad elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"caeebad\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p align=\"justify\"><span style=\"font-family: Proxima Nova Rg, sans-serif;\">En este trabajo analizo cuatro novelas espa\u00f1olas de mediados del siglo XX (<\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>El fulgor y la sangre<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> \u20131954\u2013, <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>El Jarama<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> \u20131955\u2013, <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Los bravos<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> \u20131954\u2013 y <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Campos de N\u00edjar<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> \u20131960\u2013). Centro mi inter\u00e9s en dos aspectos: lo que la cr\u00edtica especializada llam\u00f3 hace algunas d\u00e9cadas \u201cnovela del realismo cr\u00edtico\u201d y \u201cnovela neorrealista\u201d. Seg\u00fan mi an\u00e1lisis, las dos primeras novelas podr\u00edan catalogarse como pertenecientes al realismo cr\u00edtico y las otras dos al neorrealismo. Para el an\u00e1lisis, centro mi estudio en dos te\u00f3ricos de la novela: Lucien Goldmann y Gy\u00f6rgy Luk\u00e1cs. <\/span><\/p><p align=\"justify\"><span style=\"font-family: Proxima Nova Rg, sans-serif;\">Organizo el art\u00edculo en dos grupos de dos novelas cada uno. El D\u00edptico A (<\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>El fulgor y la sangre<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> y <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>El Jarama<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\">) pertenece, seg\u00fan el an\u00e1lisis de Goldmann, al <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Psicologismo<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\">, mientras que el D\u00edptico B (<\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Los bravos<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> y <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Campos de N\u00edjar<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\">) lo llamar\u00edamos del <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Idealismo abstracto<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\">. En alg\u00fan momento del an\u00e1lisis explico que esa organizaci\u00f3n que la cr\u00edtica hiciera (de llamar a una tendencia <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Neorrealismo<\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"> y <\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\"><i>Realismo Cr\u00edtico <\/i><\/span><span style=\"font-family: Proxima Nova Rg, sans-serif;\">a la otra) es una idea dif\u00edcil de sostener pues hay obras de otros autores y de estos mismos de los que nos ocupamos que combinan ambos estilos.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-745db38 e-flex e-con-boxed e-con e-parent\" data-id=\"745db38\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-438e476 elementor-widget elementor-widget-heading\" data-id=\"438e476\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Referencias<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5f57533 e-flex e-con-boxed e-con e-parent\" data-id=\"5f57533\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2351407 elementor-widget elementor-widget-text-editor\" data-id=\"2351407\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p align=\"justify\">Aldecoa, I., (1996). El fulgor y la sangre. Madrid: Espasa-Calpe.<br \/>Buckley, R., (1973). \u00abProblemas formales en la novela espa\u00f1ola contempor\u00e1nea\u00bb en Historia y cr\u00edtica de la literatura espa\u00f1ola. Barcelona: Pen\u00ednsula.<br \/>Cela, C. J., (1994). La colmena. Madrid: Alfaguara.<br \/>Fern\u00e1ndez Santos, J. (1971). Los bravos. Estella(Navarra): Salvat.<br \/>Freud, S., (1981). La neurastenia y la neurosis de angustia. En: Obras completas. Madrid: Biblioteca Nueva, pp. 183-198.<br \/>Goldmann, L., (1975). Para una sociolog\u00eda de la novela. Madrid: Ayuso.<br \/>Goytisolo, J. (1968). Campos de N\u00edjar. Barcelona: Seix-Barral.<br \/>Goytisolo, J. (1986). En los reinos de Taifa. Barcelona: Seix-Barral.<br \/>Hugh, T. (1961). La guerra civil espa\u00f1ola. Par\u00eds: Ruedo Ib\u00e9rico.<br \/>Kierkegaard, S. (1984). El concepto de la angustia. M\u00e9xico: Espasa-Calpe.<br \/>Luk\u00e1cs, G. (1984). Significaci\u00f3n actual del realismo cr\u00edtico. M\u00e9xico: Era.<br \/>Mart\u00ednez, P. (1987). Estudio introductorio . En: El mir\u00f3n. Madrid: C\u00e1tedra, pp. 6-79.<br \/>Nora, E. G. d., (1974). La novela espa\u00f1ola contempor\u00e1nea (1939-1967). Madrid: Gredos.<br \/>Rico, F. &amp; Yndur\u00e1in, D., (1980). Historia y cr\u00edtica de la literatura espa\u00f1ola. \u00c9poca contempor\u00e1nea, 1939-1980. Barcelona: Cr\u00edtica.<br \/>Roberts, G., (1978). Temas existenciales en la novela espa\u00f1ola de posguerra. Madrid: Gredos.<br \/>S\u00e1nchez Ferlosio, R. (1993). El Jarama. Madrid: RBA Editores.<br \/>Sanz Villanueva, S. (1980). \u00abLa novela\u00bb en Historia y cr\u00edtica de la literatura espa\u00f1ola. Barcelona: Cr\u00edtica.<br \/>Schopenhauer, A. (1983). El mundo como voluntad y representaci\u00f3n. M\u00e9xico: Porr\u00faa.<br \/>Villanueva, D. (1980). \u00abEstructura y tiempo reducido en la novela\u00bb en Historia y cr\u00edtica de la literatura espa\u00f1ola. Barcelona: Cr\u00edtica.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0437022 e-con-full e-flex e-con e-parent\" data-id=\"0437022\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-05128d4 e-con-full e-flex e-con e-child\" data-id=\"05128d4\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5bd8a5f e-con-full e-flex e-con e-child\" data-id=\"5bd8a5f\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-d3b8071 e-con-full e-flex e-con e-child\" data-id=\"d3b8071\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-80694c1 elementor-widget elementor-widget-image\" data-id=\"80694c1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"387\" src=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png\" class=\"attachment-large size-large wp-image-41\" alt=\"\" srcset=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png 1024w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png 300w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-768x290.png 768w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1536x580.png 1536w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png 1821w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ad4211f elementor-widget elementor-widget-text-editor\" data-id=\"ad4211f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: left; font-size:.5em\">La Revista Vitral es una publicaci\u00f3n de periodicidad continua que difunde\u00a0<span style=\"letter-spacing: 0px;\">investigaciones de acad\u00e9micos y profesionales interesados en la investigaci\u00f3n\u00a0<\/span><span style=\"letter-spacing: 0px;\">sobre las distintas disciplinas art\u00edsticas y desde perspectivas te\u00f3ricas y\u00a0<\/span><span style=\"letter-spacing: 0px;\">metodol\u00f3gicas diversas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-02e0045 e-con-full e-flex e-con e-child\" data-id=\"02e0045\" data-element_type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>En este trabajo analizo cuatro novelas espa\u00f1olas de mediados del siglo XX (El fulgor y la sangre \u20131954\u2013, El Jarama \u20131955\u2013, Los bravos \u20131954\u2013 y Campos de N\u00edjar \u20131960\u2013). Centro mi inter\u00e9s en dos aspectos: lo que la cr\u00edtica especializada llam\u00f3 hace algunas d\u00e9cadas \u201cnovela del realismo cr\u00edtico\u201d y \u201cnovela neorrealista\u201d. Seg\u00fan mi an\u00e1lisis, las dos primeras novelas podr\u00edan catalogarse como pertenecientes al realismo cr\u00edtico y las otras dos al neorrealismo. Para el an\u00e1lisis, centro mi estudio en dos te\u00f3ricos de la novela: Lucien Goldmann y Gy\u00f6rgy Luk\u00e1cs.<br \/>\nOrganizo el art\u00edculo en dos grupos de dos novelas cada uno. El D\u00edptico A (El fulgor y la sangre y El Jarama) pertenece, seg\u00fan el an\u00e1lisis de Goldmann, al Psicologismo, mientras que el D\u00edptico B (Los bravos y Campos de N\u00edjar) lo llamar\u00edamos del Idealismo abstracto. En alg\u00fan momento del an\u00e1lisis explico que esa organizaci\u00f3n que la cr\u00edtica hiciera (de llamar a una tendencia Neorrealismo y Realismo Cr\u00edtico a la otra) es una idea dif\u00edcil de sostener pues hay obras de otros autores y de estos mismos de los que nos ocupamos que combinan ambos estilos.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-479","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas - Revista Vitral<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas - Revista Vitral\" \/>\n<meta property=\"og:description\" content=\"En este trabajo analizo cuatro novelas espa\u00f1olas de mediados del siglo XX (El fulgor y la sangre \u20131954\u2013, El Jarama \u20131955\u2013, Los bravos \u20131954\u2013 y Campos de N\u00edjar \u20131960\u2013). Centro mi inter\u00e9s en dos aspectos: lo que la cr\u00edtica especializada llam\u00f3 hace algunas d\u00e9cadas \u201cnovela del realismo cr\u00edtico\u201d y \u201cnovela neorrealista\u201d. Seg\u00fan mi an\u00e1lisis, las dos primeras novelas podr\u00edan catalogarse como pertenecientes al realismo cr\u00edtico y las otras dos al neorrealismo. Para el an\u00e1lisis, centro mi estudio en dos te\u00f3ricos de la novela: Lucien Goldmann y Gy\u00f6rgy Luk\u00e1cs. Organizo el art\u00edculo en dos grupos de dos novelas cada uno. El D\u00edptico A (El fulgor y la sangre y El Jarama) pertenece, seg\u00fan el an\u00e1lisis de Goldmann, al Psicologismo, mientras que el D\u00edptico B (Los bravos y Campos de N\u00edjar) lo llamar\u00edamos del Idealismo abstracto. En alg\u00fan momento del an\u00e1lisis explico que esa organizaci\u00f3n que la cr\u00edtica hiciera (de llamar a una tendencia Neorrealismo y Realismo Cr\u00edtico a la otra) es una idea dif\u00edcil de sostener pues hay obras de otros autores y de estos mismos de los que nos ocupamos que combinan ambos estilos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Vitral\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-08T22:36:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-08T22:39:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1821\" \/>\n\t<meta property=\"og:image:height\" content=\"688\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Marco Perez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ram\u00f3n Moreno Rodr\u00edguez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\"},\"author\":{\"name\":\"Marco Perez\",\"@id\":\"https:\/\/revista-vitral.com\/#\/schema\/person\/b63096d714d7f46c615d07d6d5a2d4ca\"},\"headline\":\"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas\",\"datePublished\":\"2025-12-08T22:36:55+00:00\",\"dateModified\":\"2025-12-08T22:39:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\"},\"wordCount\":553,\"publisher\":{\"@id\":\"https:\/\/revista-vitral.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\",\"url\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/\",\"name\":\"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas - 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Revista Vitral","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/","og_locale":"es_ES","og_type":"article","og_title":"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas - Revista Vitral","og_description":"En este trabajo analizo cuatro novelas espa\u00f1olas de mediados del siglo XX (El fulgor y la sangre \u20131954\u2013, El Jarama \u20131955\u2013, Los bravos \u20131954\u2013 y Campos de N\u00edjar \u20131960\u2013). Centro mi inter\u00e9s en dos aspectos: lo que la cr\u00edtica especializada llam\u00f3 hace algunas d\u00e9cadas \u201cnovela del realismo cr\u00edtico\u201d y \u201cnovela neorrealista\u201d. Seg\u00fan mi an\u00e1lisis, las dos primeras novelas podr\u00edan catalogarse como pertenecientes al realismo cr\u00edtico y las otras dos al neorrealismo. Para el an\u00e1lisis, centro mi estudio en dos te\u00f3ricos de la novela: Lucien Goldmann y Gy\u00f6rgy Luk\u00e1cs. Organizo el art\u00edculo en dos grupos de dos novelas cada uno. El D\u00edptico A (El fulgor y la sangre y El Jarama) pertenece, seg\u00fan el an\u00e1lisis de Goldmann, al Psicologismo, mientras que el D\u00edptico B (Los bravos y Campos de N\u00edjar) lo llamar\u00edamos del Idealismo abstracto. En alg\u00fan momento del an\u00e1lisis explico que esa organizaci\u00f3n que la cr\u00edtica hiciera (de llamar a una tendencia Neorrealismo y Realismo Cr\u00edtico a la otra) es una idea dif\u00edcil de sostener pues hay obras de otros autores y de estos mismos de los que nos ocupamos que combinan ambos estilos.","og_url":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/","og_site_name":"Revista Vitral","article_published_time":"2025-12-08T22:36:55+00:00","article_modified_time":"2025-12-08T22:39:59+00:00","og_image":[{"width":1821,"height":688,"url":"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png","type":"image\/png"}],"author":"Marco Perez","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Ram\u00f3n Moreno Rodr\u00edguez","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/#article","isPartOf":{"@id":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/"},"author":{"name":"Marco Perez","@id":"https:\/\/revista-vitral.com\/#\/schema\/person\/b63096d714d7f46c615d07d6d5a2d4ca"},"headline":"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas","datePublished":"2025-12-08T22:36:55+00:00","dateModified":"2025-12-08T22:39:59+00:00","mainEntityOfPage":{"@id":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/"},"wordCount":553,"publisher":{"@id":"https:\/\/revista-vitral.com\/#organization"},"image":{"@id":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/#primaryimage"},"thumbnailUrl":"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png","articleSection":["Uncategorized"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/","url":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/realismo-critico-y-neorrealismo-en-cuatro-novelas-espanolas\/","name":"Realismo cr\u00edtico y neorrealismo en cuatro novelas espa\u00f1olas - 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