{"id":447,"date":"2025-12-08T20:01:46","date_gmt":"2025-12-08T20:01:46","guid":{"rendered":"https:\/\/revista-vitral.com\/?p=447"},"modified":"2025-12-15T17:49:40","modified_gmt":"2025-12-15T17:49:40","slug":"la-hermeneutica-analogica-y-las-artes-visuales","status":"publish","type":"post","link":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/","title":{"rendered":"La hermen\u00e9utica anal\u00f3gica y las artes visuales\u200b"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"447\" class=\"elementor elementor-447\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c95e76 e-con-full e-flex e-con e-parent\" data-id=\"4c95e76\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-91c5c71 e-con-full e-flex e-con e-child\" data-id=\"91c5c71\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element 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e-con-boxed e-con e-parent\" data-id=\"269c1b3\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-65a99c6 elementor-widget elementor-widget-heading\" data-id=\"65a99c6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">La hermen\u00e9utica anal\u00f3gica y las artes visuales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-73255cc e-flex e-con-boxed e-con e-parent\" data-id=\"73255cc\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-38f1320 e-con-full e-flex e-con e-child\" data-id=\"38f1320\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b3843f9 elementor-widget elementor-widget-text-editor\" data-id=\"b3843f9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Autor:<\/strong><\/p>\n<p>Mauricio Beuchot<\/p>\n<p>Universidad Nacional Aut\u00f3noma de M\u00e9xico<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-abef8dc e-con-full e-flex e-con e-child\" data-id=\"abef8dc\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5c95533 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"5c95533\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" 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15.1 18.9 27.2 30.1 35.5-20.8 4.3-38.9 13.1-54.8 19.2zm131.6-5s-5 6-37.3-7.8c35.1-2.6 40.9 5.4 37.3 7.8z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a03ddf3 e-con-full e-flex e-con e-child\" data-id=\"a03ddf3\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f559de6 elementor-widget elementor-widget-heading\" data-id=\"f559de6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Fecha de publicaci\u00f3n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3d5e8e3 elementor-widget elementor-widget-text-editor\" data-id=\"3d5e8e3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>08 de diciembre de 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7a36039 e-flex e-con-boxed e-con e-parent\" data-id=\"7a36039\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-396be42 elementor-widget elementor-widget-text-editor\" data-id=\"396be42\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Palabras clave<\/strong><br \/>Hermen\u00e9utica anal\u00f3gica, Est\u00e9tica, Artes Visuales, Simbolicidad, Iconicidad.<br \/><br \/><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-edb11c0 e-flex e-con-boxed e-con e-parent\" data-id=\"edb11c0\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c982240 elementor-widget elementor-widget-heading\" data-id=\"c982240\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Resumen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-021f9bd e-flex e-con-boxed e-con e-parent\" data-id=\"021f9bd\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-caeebad elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"caeebad\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>El presente texto aborda la aplicaci\u00f3n de la hermen\u00e9utica anal\u00f3gica al campo de las artes visuales, con el fin de ofrecer una salida a la crisis contempor\u00e1nea de la est\u00e9tica, caracterizada por la p\u00e9rdida del criterio de belleza y la dificultad para distinguir entre una obra de arte aut\u00e9ntica y un producto carente de valor art\u00edstico. Frente al dilema entre arte representativo y expresi\u00f3n subjetiva, se propone una postura intermedia: la hermen\u00e9utica anal\u00f3gica, que permite m\u00faltiples interpretaciones organizadas jer\u00e1rquicamente seg\u00fan su coherencia con la intencionalidad original del autor. La propuesta concluye con un llamado a recuperar la categor\u00eda de belleza en el arte, sin excluir lo impactante, sino integr\u00e1ndolo dentro de una est\u00e9tica basada en la proporci\u00f3n, completitud y esplendor, tal como se entend\u00eda en la tradici\u00f3n cl\u00e1sica. Esta recuperaci\u00f3n es esencial para revitalizar el valor cultural, humano y filos\u00f3fico del arte visual en la actualidad<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-745db38 e-flex e-con-boxed e-con e-parent\" data-id=\"745db38\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-438e476 elementor-widget elementor-widget-heading\" data-id=\"438e476\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Referencias<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5f57533 e-flex e-con-boxed e-con e-parent\" data-id=\"5f57533\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2351407 elementor-widget elementor-widget-text-editor\" data-id=\"2351407\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Adorno, Th. W. (2006), Kierkegaard. Construcci\u00f3n de lo est\u00e9tico, Madrid: Akal.<br \/>Benjamin, W. (1973), \u201cLa obra de arte en la \u00e9poca de su reproductibilidad t\u00e9cnica\u201d, en Discursos interrumpidos I, Madrid: Taurus.<br \/>Beuchot, M. (2018), Teor\u00eda est\u00e9tica. La resurrecci\u00f3n del arte, M\u00e9xico: Orfila.<br \/>Beuchot, M. (2019) Tratado de hermen\u00e9utica anal\u00f3gica. Hacia un nuevo modelo de la interpretaci\u00f3n, M\u00e9xico: UNAM.<br \/>C\u00e1rdenas, A. C. (1970), Breve Tratado sobre la analog\u00eda, Buenos Aires: Club de Lectores.<br \/>Castro, S. J. (2005), En teor\u00eda, es arte. Una introducci\u00f3n a la est\u00e9tica, Salamanca: Ed. San Esteban.<br \/>Castro, S. J. (2007), Vituperio de Orbanejas, Barcelona: Herder.<br \/>Castro, S. J. (2017), Filosof\u00eda del arte. El arte pensado. M\u00e9xico: Herder.<br \/>Eco, U. (1970), La definici\u00f3n del arte, Barcelona: Eds. Mart\u00ednez Roca.<br \/>Eco, U. (1995), \u201cR\u00e9plica\u201d [a R. Rorty], en Interpretaci\u00f3n y sobreinterpretaci\u00f3n, Cambridge: Cambridge University Press.<br \/>Gadamer, H.-G. Verdad y m\u00e9todo. (1977), Fundamentos de una hermen\u00e9utica filos\u00f3fica, Salamanca: S\u00edgueme.<br \/>Gadamer, H.-G. (1998), Actualidad de lo bello. El arte como juego, s\u00edmbolo y fiesta, Barcelona: Paid\u00f3s.<br \/>Granados Vald\u00e9z, J. (2019), Hacia una est\u00e9tica prudencial, M\u00e9xico: Infinita, 2019.<br \/>Granados Vald\u00e9z, J. (2020), Breve presentaci\u00f3n de la hermen\u00e9utica anal\u00f3gica de Mauricio Beuchot, Quer\u00e9taro: Infinita.<br \/>Grisales Vargas, A. L. (2002), El arte como horizonte. Del v\u00ednculo entre arte y religi\u00f3n en la cultura occidental contempor\u00e1nea, Manizales (Colombia): Editorial Universidad de Caldas.<br \/>Grondin, J. (1990), \u201cL\u2019herm\u00e9neutique comme science rigoureuse selon Emilio Betti (1890-1968)\u201d, en Archives de Philosophie, 53\/2;. <br \/>Grondin, J. (2002), L\u2019herm\u00e9neutique, Paris: PUF.<br \/>Guerv\u00f3s, L. E. (2004), Arte y poder. Aproximaci\u00f3n a la est\u00e9tica de Nietzsche, Madrid: Trotta.<br \/>Heidegger, M. (1978) \u201cEl origen de la obra de arte\u201d, en Arte y poes\u00eda, M\u00e9xico: FCE.<br \/>Peirce, Ch. S.(1974), La ciencia de la semi\u00f3tica, Buenos Aires: Nueva Visi\u00f3n.<br \/>Ricoeur, P. (1998), Tiempo y narraci\u00f3n, I, M\u00e9xico: Siglo XXI.<br \/>Secretan, Ph. (1984), L\u2019analogie, Paris: PUF.<br \/>Valdivia B., (2007), Los objetos meta-art\u00edsticos, y otros ensayos sobre la sensibilidad contempor\u00e1nea, Zacatecas: UAZ \u2013 Guanajuato: Azafr\u00e1n y Cinabrio Eds.<br \/><br \/><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0437022 e-con-full e-flex e-con e-parent\" data-id=\"0437022\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-05128d4 e-con-full e-flex e-con e-child\" data-id=\"05128d4\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5bd8a5f e-con-full e-flex e-con e-child\" data-id=\"5bd8a5f\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-d3b8071 e-con-full e-flex e-con e-child\" data-id=\"d3b8071\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-80694c1 elementor-widget elementor-widget-image\" data-id=\"80694c1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"387\" src=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png\" class=\"attachment-large size-large wp-image-41\" alt=\"\" srcset=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png 1024w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png 300w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-768x290.png 768w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1536x580.png 1536w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png 1821w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ad4211f elementor-widget elementor-widget-text-editor\" data-id=\"ad4211f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: left; font-size:.5em\">La Revista Vitral es una publicaci\u00f3n de periodicidad continua que difunde\u00a0<span style=\"letter-spacing: 0px;\">investigaciones de acad\u00e9micos y profesionales interesados en la investigaci\u00f3n\u00a0<\/span><span style=\"letter-spacing: 0px;\">sobre las distintas disciplinas art\u00edsticas y desde perspectivas te\u00f3ricas y\u00a0<\/span><span style=\"letter-spacing: 0px;\">metodol\u00f3gicas diversas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-02e0045 e-con-full e-flex e-con e-child\" data-id=\"02e0045\" data-element_type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>El presente texto aborda la aplicaci\u00f3n de la hermen\u00e9utica anal\u00f3gica al campo de las artes visuales, con el fin de ofrecer una salida a la crisis contempor\u00e1nea de la est\u00e9tica, caracterizada por la p\u00e9rdida del criterio de belleza y la dificultad para distinguir entre una obra de arte aut\u00e9ntica y un producto carente de valor art\u00edstico. Frente al dilema entre arte representativo y expresi\u00f3n subjetiva, se propone una postura intermedia: la hermen\u00e9utica anal\u00f3gica, que permite m\u00faltiples interpretaciones organizadas jer\u00e1rquicamente seg\u00fan su coherencia con la intencionalidad original del autor. La propuesta concluye con un llamado a recuperar la categor\u00eda de belleza en el arte, sin excluir lo impactante, sino integr\u00e1ndolo dentro de una est\u00e9tica basada en la proporci\u00f3n, completitud y esplendor, tal como se entend\u00eda en la tradici\u00f3n cl\u00e1sica. Esta recuperaci\u00f3n es esencial para revitalizar el valor cultural, humano y filos\u00f3fico del arte visual en la actualidad<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-447","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La hermen\u00e9utica anal\u00f3gica y las artes visuales\u200b - Revista Vitral<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La hermen\u00e9utica anal\u00f3gica y las artes visuales\u200b - Revista Vitral\" \/>\n<meta property=\"og:description\" content=\"El presente texto aborda la aplicaci\u00f3n de la hermen\u00e9utica anal\u00f3gica al campo de las artes visuales, con el fin de ofrecer una salida a la crisis contempor\u00e1nea de la est\u00e9tica, caracterizada por la p\u00e9rdida del criterio de belleza y la dificultad para distinguir entre una obra de arte aut\u00e9ntica y un producto carente de valor art\u00edstico. 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Esta recuperaci\u00f3n es esencial para revitalizar el valor cultural, humano y filos\u00f3fico del arte visual en la actualidad\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Vitral\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-08T20:01:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-15T17:49:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1821\" \/>\n\t<meta property=\"og:image:height\" content=\"688\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Marco Perez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mauricio Beuchot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\"},\"author\":{\"name\":\"Marco Perez\",\"@id\":\"https:\/\/revista-vitral.com\/#\/schema\/person\/b63096d714d7f46c615d07d6d5a2d4ca\"},\"headline\":\"La hermen\u00e9utica anal\u00f3gica y las artes visuales\u200b\",\"datePublished\":\"2025-12-08T20:01:46+00:00\",\"dateModified\":\"2025-12-15T17:49:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\"},\"wordCount\":609,\"publisher\":{\"@id\":\"https:\/\/revista-vitral.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\",\"url\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-hermeneutica-analogica-y-las-artes-visuales\/\",\"name\":\"La hermen\u00e9utica anal\u00f3gica y las artes visuales\u200b - 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