{"id":440,"date":"2025-12-08T19:51:13","date_gmt":"2025-12-08T19:51:13","guid":{"rendered":"https:\/\/revista-vitral.com\/?p=440"},"modified":"2025-12-08T20:09:13","modified_gmt":"2025-12-08T20:09:13","slug":"la-poesia-social-y-politica-de-nicanor-parra","status":"publish","type":"post","link":"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/","title":{"rendered":"La poes\u00eda social y pol\u00edtica de Nicanor Parra"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"440\" class=\"elementor elementor-440\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c95e76 e-con-full e-flex e-con e-parent\" data-id=\"4c95e76\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-91c5c71 e-con-full e-flex e-con e-child\" data-id=\"91c5c71\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-26f76ba 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e-con-boxed e-con e-parent\" data-id=\"269c1b3\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-65a99c6 elementor-widget elementor-widget-heading\" data-id=\"65a99c6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">La poes\u00eda social y pol\u00edtica de Nicanor Parra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-73255cc e-flex e-con-boxed e-con e-parent\" data-id=\"73255cc\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-38f1320 e-con-full e-flex e-con e-child\" data-id=\"38f1320\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b3843f9 elementor-widget elementor-widget-text-editor\" data-id=\"b3843f9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Autor:<\/strong><\/p><p>Rogelio Guedea Noriega<\/p><p>Universidad Aut\u00f3noma del Estado de M\u00e9xico<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-abef8dc e-con-full e-flex e-con e-child\" data-id=\"abef8dc\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5c95533 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"5c95533\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" 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15.1 18.9 27.2 30.1 35.5-20.8 4.3-38.9 13.1-54.8 19.2zm131.6-5s-5 6-37.3-7.8c35.1-2.6 40.9 5.4 37.3 7.8z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a03ddf3 e-con-full e-flex e-con e-child\" data-id=\"a03ddf3\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f559de6 elementor-widget elementor-widget-heading\" data-id=\"f559de6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Fecha de publicaci\u00f3n<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3d5e8e3 elementor-widget elementor-widget-text-editor\" data-id=\"3d5e8e3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>08 de diciembre de 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7a36039 e-flex e-con-boxed e-con e-parent\" data-id=\"7a36039\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-396be42 elementor-widget elementor-widget-text-editor\" data-id=\"396be42\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Palabras clave<\/strong><br \/>antipoes\u00eda; poes\u00eda pol\u00edtica; artefactos; cr\u00edtica ideol\u00f3gica; compromiso intelectual.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-edb11c0 e-flex e-con-boxed e-con e-parent\" data-id=\"edb11c0\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c982240 elementor-widget elementor-widget-heading\" data-id=\"c982240\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Resumen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-021f9bd e-flex e-con-boxed e-con e-parent\" data-id=\"021f9bd\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-caeebad elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"caeebad\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Durante el siglo XX, Am\u00e9rica Latina vivi\u00f3 una compleja tensi\u00f3n pol\u00edtica entre los bloques ideol\u00f3gicos de izquierda y derecha, situaci\u00f3n que perme\u00f3 profundamente en las manifestaciones culturales y art\u00edsticas, incluida la poes\u00eda. En este contexto surge Nicanor Parra (1914\u20132018), figura clave de la poes\u00eda latinoamericana, quien desde su propuesta est\u00e9tica conocida como antipoes\u00eda ofreci\u00f3 una mirada cr\u00edtica, ir\u00f3nica y desmitificadora del lenguaje solemne.<\/p><p>Parra opt\u00f3 por una postura ideol\u00f3gica ambigua, no por indiferencia, sino por una desconfianza radical hacia cualquier forma de poder autoritario, ya fuera de izquierda o derecha. Poemas y antipoemas, marc\u00f3 un hito en la tradici\u00f3n po\u00e9tica latinoamericana, al incorporar el habla cotidiana, el humor y la iron\u00eda como herramientas para desarticular discursos de poder y verdades absolutas.<br \/>El episodio con la Revoluci\u00f3n cubana en 1972, cuando fue p\u00fablicamente condenado por compartir un caf\u00e9 con la esposa de Nixon, marc\u00f3 su posicionamiento ideol\u00f3gico: Parra respondi\u00f3 con Artefactos, que denunciaban tanto el imperialismo estadounidense como el autoritarismo de izquierda. Desde entonces, su poes\u00eda se convirti\u00f3 en una trinchera cr\u00edtica sin militancia, y en un ejercicio de libertad intelectual que incomod\u00f3 por igual a los extremos ideol\u00f3gicos.<br \/>Parra no fue un poeta apol\u00edtico, sino un pensador disidente que, al evitar la afiliaci\u00f3n, logr\u00f3 construir una voz po\u00e9tica aut\u00f3noma y mordaz. Su figura representa una \u00e9tica del escritor que se niega a ser instrumentalizado por los poderes ideol\u00f3gicos, convirti\u00e9ndose en un modelo de resistencia intelectual frente a la polarizaci\u00f3n de su \u00e9poca.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-745db38 e-flex e-con-boxed e-con e-parent\" data-id=\"745db38\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-438e476 elementor-widget elementor-widget-heading\" data-id=\"438e476\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Referencias<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5f57533 e-flex e-con-boxed e-con e-parent\" data-id=\"5f57533\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2351407 elementor-widget elementor-widget-text-editor\" data-id=\"2351407\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Ayala, M. (2006). Nicanor Parra y su itinerario pol\u00edtico. De los a\u00f1os 60 a los 80. Persona y Sociedad, 20(2), 161-176.<br \/>________(2014). Nicanor Parra y la pol\u00edtica. 1954-2006. Estudios P\u00fablicos (136), 59-78.<br \/>Binns, N. (2006). Introducci\u00f3n. En N. Parra. Obras completas, (tomo I), (XXIX-LXXVI). Galaxia Gutenberg-C\u00edrculo de Lectores.<br \/>C\u00e1rdenas, M. T. (ed.). (2012). As\u00ed habl\u00f3 Parra en El Mercurio. El Mercurio-Aguilar.<br \/>Carrasco, I. (2014). La antipoes\u00eda: manifestaci\u00f3n pol\u00edtica heterog\u00e9nea. Atenea (Concepci\u00f3n): Revista de Ciencias, Artes y Letras (510), 95-109.<br \/>De la Fuente, J. A. Disparates religiosos pol\u00edticos en la poes\u00eda de Nicanor Parra. Literatura y ling\u00fc\u00edstica (18), 35-58. <br \/>Fischer, M. L. (2014). Poes\u00eda pol\u00edtica y pol\u00edticas de la poes\u00eda en la obra de Nicanor Parra. Guaraguao (45), 70-92.<br \/>Morales, L. (1990). Conversaciones con Nicanor Parra. Editorial Universitaria.<br \/>Parra, N. (2011a). Obras completas &amp; algo + (1935-1972). (Vol. I). Galaxia Gutenberg-C\u00edrculo de Lectores.<br \/>_______(2011b). Obras completas &amp; algo + (1975-2006). (Vol. II). Galaxia Gutenberg-C\u00edrculo de Lectores.<br \/>Z\u00fa\u00f1iga, P. (1995). El mundo de Nicanor Parra, antibiograf\u00eda. Editorial Zig-Zag.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0437022 e-con-full e-flex e-con e-parent\" data-id=\"0437022\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-05128d4 e-con-full e-flex e-con e-child\" data-id=\"05128d4\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-5bd8a5f e-con-full e-flex e-con e-child\" data-id=\"5bd8a5f\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t<div class=\"elementor-element elementor-element-d3b8071 e-con-full e-flex e-con e-child\" data-id=\"d3b8071\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-80694c1 elementor-widget elementor-widget-image\" data-id=\"80694c1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"387\" src=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png\" class=\"attachment-large size-large wp-image-41\" alt=\"\" srcset=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1024x387.png 1024w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png 300w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-768x290.png 768w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-1536x580.png 1536w, https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA.png 1821w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ad4211f elementor-widget elementor-widget-text-editor\" data-id=\"ad4211f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: left; font-size:.5em\">La Revista Vitral es una publicaci\u00f3n de periodicidad continua que difunde\u00a0<span style=\"letter-spacing: 0px;\">investigaciones de acad\u00e9micos y profesionales interesados en la investigaci\u00f3n\u00a0<\/span><span style=\"letter-spacing: 0px;\">sobre las distintas disciplinas art\u00edsticas y desde perspectivas te\u00f3ricas y\u00a0<\/span><span style=\"letter-spacing: 0px;\">metodol\u00f3gicas diversas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-02e0045 e-con-full e-flex e-con e-child\" data-id=\"02e0045\" data-element_type=\"container\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Durante el siglo XX, Am\u00e9rica Latina vivi\u00f3 una compleja tensi\u00f3n pol\u00edtica entre los bloques ideol\u00f3gicos de izquierda y derecha, situaci\u00f3n que perme\u00f3 profundamente en las manifestaciones culturales y art\u00edsticas, incluida la poes\u00eda. En este contexto surge Nicanor Parra (1914\u20132018), figura clave de la poes\u00eda latinoamericana, quien desde su propuesta est\u00e9tica conocida como antipoes\u00eda ofreci\u00f3 una mirada cr\u00edtica, ir\u00f3nica y desmitificadora del lenguaje solemne.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_canvas","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-440","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La poes\u00eda social y pol\u00edtica de Nicanor Parra - Revista Vitral<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La poes\u00eda social y pol\u00edtica de Nicanor Parra - Revista Vitral\" \/>\n<meta property=\"og:description\" content=\"Durante el siglo XX, Am\u00e9rica Latina vivi\u00f3 una compleja tensi\u00f3n pol\u00edtica entre los bloques ideol\u00f3gicos de izquierda y derecha, situaci\u00f3n que perme\u00f3 profundamente en las manifestaciones culturales y art\u00edsticas, incluida la poes\u00eda. En este contexto surge Nicanor Parra (1914\u20132018), figura clave de la poes\u00eda latinoamericana, quien desde su propuesta est\u00e9tica conocida como antipoes\u00eda ofreci\u00f3 una mirada cr\u00edtica, ir\u00f3nica y desmitificadora del lenguaje solemne.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Vitral\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-08T19:51:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-08T20:09:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png\" \/>\n<meta name=\"author\" content=\"Marco Perez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rogelio Guedea Noriega\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\"},\"author\":{\"name\":\"Marco Perez\",\"@id\":\"https:\/\/revista-vitral.com\/#\/schema\/person\/b63096d714d7f46c615d07d6d5a2d4ca\"},\"headline\":\"La poes\u00eda social y pol\u00edtica de Nicanor Parra\",\"datePublished\":\"2025-12-08T19:51:13+00:00\",\"dateModified\":\"2025-12-08T20:09:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\"},\"wordCount\":535,\"publisher\":{\"@id\":\"https:\/\/revista-vitral.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/revista-vitral.com\/wp-content\/uploads\/2025\/04\/cropped-VITRAL-REVISTA-300x113.png\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\",\"url\":\"https:\/\/revista-vitral.com\/index.php\/2025\/12\/08\/la-poesia-social-y-politica-de-nicanor-parra\/\",\"name\":\"La poes\u00eda social y pol\u00edtica de Nicanor Parra - 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